Teach GLOBAL CITIZENSHIP 2: City of Joy in the midst of the horrors of war

All adults - including young adults (16+) - are recommended to watch this film, which is a unique documentary:

The focus is on the City of Joy project in eastern Congo, where women who have been subjected to cruel rape are regaining hope and meaning in life.

The documentary is on Netflix, and as something quite extraordinary, it is allowed to be shown in a teaching context without fees.

Introduction and teaching guide is found here: CITY OF JOY: THE FILM - City of Joy

Although the documentary is heartwarming and moving, the women's descriptions of what they have gone through can also be traumatizing for some. It is recommended to read the considerations in the teaching guide before presenting to groups.

Here are quotes from the "Director's Statement" on the film's website

CITY OF JOY: THE FILM - City of Joy

Rape as a weapon of war

“The eastern part of the Democratic Republic of Congo has endured 20 years of devastating violence. It is estimated that up to 8 million people have been murdered and hundreds of thousands of women have been raped and tortured. Rape has been used as a weapon of war in the conscious destruction of community to get at the precious resources in the area. Congo is often referred to as the worst place in the world to be a woman for all these reasons and more. CITY OF JOY tells another story of that region.

… …”

The awe-inspiring resilience of these women

“… But equally arresting was the palpable resilience of these women. My daughter was young at the time, and I was sure that if I had seen her endure what these women had or if my daughter had witnessed such things, I would collapse and my life would be over, period. The fact that these women could find ways to create meaning in their lives after such experiences was awe-inspiring. This is what initially drew me to this story.”

The director’s balancing act between sufflering and hope

“It was important to me that the audience not go numb in the watching of this film, or be so torn up that they shut down and stopped listening. So the balancing between the devastation of what these women had suffered and the incredible force of hope and joy that they embodied was something I grappled with a lot. The shifting tones between pathos, humor, irreverence, and joy were something I strived for, trying to keep the film visceral and surprising in its emotion and arc.

Methods in use in creating the documentary

“To this end, I used all sorts of methods and found myself inventing things along the way. I tried to create the feeling of nostalgia, shooting visual elements that represented a past world and the subsequent loss of that world. I worked a lot with sound and music and the interaction of these elements. I saw the war as a sort of character of its own that we revisit throughout the film, learning bits and pieces each time. I tried to give enough history but not too much, and I questioned myself constantly in this regard. This was a real challenge and I hope an audience finds it satisfying but this lacing of elements and tonal shifts was very important to me.”